COLIN Hay may have co-written the song widely plugged as an unofficial Australian anthem, but these days the former Men at Work frontman feels as much at home travelling the world as he does in the Land Down Under.
But, ahead of his four-month tour of the country, the 58-year-old admitted it was good to be back.
‘‘When I touch down in Melbourne it always feels like I am coming home,’’ he said. ‘‘But then when I touch down in Los Angeles it feels like I’m coming home as well. And then when I cross the border it Scotland it feels like I’m going home as well.
‘‘When you are on the road all the time sometimes you will pull into a town where you have been many times before – you see the same people that can feel like home as well. I’m a fortunate that way.’’
From international fame at the front of one of the country’s most successful musical exports to an established solo artist has been a two-decade journey for Hay.
In 1989, just after the breakup of Men at Work broke up, Hay found himself playing his first solo shows in Australia.
He had just spent several months recording in Los Angeles and debated whether to make the move to the US.
“I remember doing a show in St Kilda to an audience of 150 people,” He said.
“Then I went off and did a show in Rio de Janeiro to 150,000 people. On the way back I stopped in Los Angeles and I thought I could just go home or I could stay here, and I decided to stay there. And I’m still there.”
Born in Kilwinning, Scotland in 1953 Hay moved to Melbourne with his family at the age of 14.
In 1978 he met Ron Strykert and the duo began playing music together before forming Men at Work.
The band released their first album, Business as Usual in 1981 to international acclaim.
The group went on to win a Grammy Award in 1993 for best new artists and sell more than 30 million albums worldwide.
But the success didn’t immediately transfer into a loyal following for Hay’s solo career.
“When the band broke up I was on my own. I thought, well I just have to start again,” he said.
“You realise there is some cross over with a big brand name like Men at Work, but not as much as you think.
“I think (my solo albums) have been successful because they get better all the time and the people that have them dearly love them. But none of them have been hit records or anything. They haven’t done anywhere near the commercial success that Men at Work did.”
Despite the slow start Hays can now boast 11 solo albums and a fiercely loyal international fan base.
Some of that success has come through numerous television appearances where a new generation of listeners has been introduced to his music, including several cameos on the hit TV series Scrubs.
“You realise that television is staggeringly powerful,” he said.
“Zach Braff used to come and see me play before he was in Scrubs and he had some of my CD’s. When he got the gig in Scrubs he brought Bill Lawrence, who created the show, down to see me play live.
“Lawrence loved the show and asked me ‘why don’t I hear these songs on the radio?’ I said that’s a good question, I have no answer for that.’ He said ‘I’m going to use a bunch of your songs in my television show and see if it makes a difference.”
Since 2002 Hays appeared during several cameos in the show and a number of his songs were also performed including Down Under, Overkill and Waiting for my Real Life to Begin.
“It created this huge awareness of my music after that,” Hays said.
“It’s one of those things that you don’t think will have that kind of effect when you do it. You wander in for two or three hours and have a cup of teas then stand in one spot and play the tune and then you go home. Then nine years later someone comes up and say ‘oh, I saw you in Scrubs last night.” It’s the gift that keeps on giving.”
For his latest tour of Australia Hays will play songs from his most recent album, Gathering Mercury.
The album is deeply affected by the 2009 death of his father. The loss also caused the 58-year-old to consider his own mortality.
“This particular album was a bit different for me because my old man died in 2009 and that was my first major tragic event in my life,” he said.
“It didn’t matter what I was trying to write about or what I was doing, that was really the emotional context of the whole thing – the fact that I had lost someone that I was very close to. Even if a song wasn’t about that directly it - mortality was still there behind it.
“I’m nearly 60 and you think about the hour glass, you can see it. Whereas when you are in your 20s it’s not really in your frontal lobe, it’s not something you think about on a daily basis. But as you get older you think there is lot of things that I want to do. Time becomes a bit more precious.”
When he comes to Canberra next weekend Hay’s show will include works from throughout his two decades as a solo artists as well as all the Men at Work classics.
As well as music Hays tries to keep the audience entertained with stories of his own experiences.
“When I started to do the solo thing it was so weird me being up on stage and sometimes there were only 40 or 50 people in the audience,” he said.
“It was only been a couple of years after the band broke up, so I felt like people wanted an explanation, they wanted me to say ‘hey, the only reason there’s only a few of us here is because of this.’ But I had no idea really. So I just started to tell people what had been happening to me.
“I found I started to get a few laughs and of course there is nothing more encouraging than that. It became part of the show. Now I’ve made my bed and I have to lie in it. Now when I do the show people expect it, I have to blather between the songs and entertain the folks. But it’s alright it works quite well.”
Colin Hay
At the Canberra Southern Cross Club, Woden
Friday, February 10 at 8.30pm
Bookings: 6283 7288.